https://rumble.com/v28eixk-american-pie ... -lope.html
BTW McLean himself has been vague about the meaning of the lyrics. Once when asked what the song means, he said “It means I never have to work again”.

Ken
You would think that with all the deaths of entertainers due to small aircraft crashes they would stop using them.1967redrider wrote: ↑Thu Oct 05, 2023 4:57 pm I've always thought it to be a tribute song to those lost in the Buddy Holley plane crash. Buddy was just one of the lost talents of that ill-fated flight. Interesting how the video ends with Amy Winehouse, she had an incredible voice.
Thanks for that “inside baseball” perspective. I have a couple of musician friends who are somewhat popular. Although they have each recorded several CDs (they eventually started their own label https://countrystandardtime.com/d/article.asp?xid=294, which is an interesting story itself) and play somewhere nearly every weekend night, they haven’t quit their day jobs.Ridgegrass wrote: ↑Thu Oct 05, 2023 7:02 pm Red, Just for the sake of discussion about royalties, (and these numbers are industry estimates at best because a lot is kept secret), download sales royalties are said to be 9 cents a song. Mechanical royalties,(airplay, streaming, etc.) are 9/10 of a penny per play. $10 album (CD) royalties are $1.50-1.80 depending on the volume of sales, (and CD sales are not a popular market like they used to be). So, it’s not hard to see how the artists are getting shafted by the publishers, agents, lawyers and labels who "step" on the sales every step of the way. I was no star, but I've been around the biz for almost 60 years and I've known and played next to some first string players. One associate of mine, a two time Grammy winner, used to laugh when he'd get a royalty check. Some were in the hundreds and the lowest I remember him getting was $11.00. One of the ultimate insults is, when a writer or writer/performer signs with most labels, he signs away his publishing rights, meaning he cannot even publish, or benefit from publishing his own music. Publishing royalties are a separate deal. There are stories of Hank Williams selling his songs an rights he to Fred Rose of Acuff Rose Publishing for the price of a bottle.
Of course the mega guys like McCartney, Taylor Swift, etc., can cut their own deals but I really don't think Don McClean is anywhere near that level anymore. Fifty years ago artists weren't as savvy as now and many of those contracts had expiration clauses.
I read once that McCartney in his heyday was grossing $8,000 a minute on the Beatles and his personal productions. John Hartford, who wrote "Gentle On My Mind", Glen Campbell's TV show theme song, said when he hit that "home run", he never had to work another day. Those don't come every day.
Doing the math, at $.009 per play, your song has to get played a million times to net $9000, before taxes. There are many more positive and negative factors involved here but....
As the old saw goes, "Don't quit your day job."John.
1967redrider wrote: ↑Thu Oct 05, 2023 4:57 pm I've always thought it to be a tribute song to those lost in the Buddy Holley plane crash. Buddy was just one of the lost talents of that ill-fated flight. Interesting how the video ends with Amy Winehouse, she had an incredible voice.
There was a film a few years ago titled "The Number 27". Jim Carrey stars as a man who becomes obsessed with the 27 enigma once he reads about it in a strange book that seemingly mirrors his own life. Very creepy...
The levy may be dry...
Great job!!! Thanks for sharing.